resist!
“Those who profess to favor freedom, and yet deprecate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. . . . Power concedes nothing without a demand. It never did and it never will.” — Frederick Douglass, West India Emancipation speech, 1857
The history of protest is grounded in the continuing saga of struggle. In an 1857 speech to abolitionists that foreshadowed the American Civil War, Frederick Douglass invoked slave rebellions in Haiti and the larger West Indies that had resulted in emancipation in the early 1800s.
For the Black orator and reformer, who had himself escaped servitude, the success of these revolts showed that freedom is never granted without defiance: “Who would be free, themselves must strike the blow.”
More than 150 years later, Douglass’s fiery call for resistance has been heard, heeded, and amplified thousands of times over. And versions of this message—built on by activists working on behalf of civil rights, the antiwar movement, gender equality, LGBTQIA+ rights, environmentalism, and more—have found their way onto the print materials used to rebut the status quo.
The graphics in this chapter rally around resistance, defined as a form of collective civil disobedience and loosely interpreted to mean nonviolent protest. Beyond their intended use as signage in events like sit-ins, marches, and encampments; public notices and posters; or publications for use in community organizing, they share a sense of urgency— an insistence on clear, rapid-fire delivery of often dire messaging.
Next
strike!-
Jumpsuit and gloves for human wall demonstrations
screen print on cotton fabric
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Stop H Bomb Tests
screen print
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We Won’t Stand for the Flag Until the Flag Stands for the People
screen print
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U.S.A. Surpasses All the Genocide Records!
offset
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Are We Next?
offset
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Day of Unacceptance
offset
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Giron Beach First Defeat of Imperialism in America, 1969
offset
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I Am Somebody!
offset
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No to Racism
screen print
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The Black Scholar: The Journal of Black Studies and Research, vol. 2, no. 2
offset
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Criminal Justice Reform Now
screen print
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Police Line Do Not Cross
giclée print
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Facsimile of untitled 2014 collage protest poster for the Black Lives Matter protest
giclée print
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Day of the Heroic Guerrilla
offset
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Facsimile of circa 1854 letterpress broadside The Man Is Not Bought!
letterpress
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Facsimile of Printers’ Picture Gallery, 1838 letterpress broadside
letterpess
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We’ve Come Too Far to Turn Around
offset
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American Sampler, 29 Heroes and Sheroes series
screen print
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News of the Week, 29 Heroes and Sheroes series
screen print
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If I, 29 Heroes and Sheroes series
screen print
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Love Your Brother, 26 Heroes and Sheroes series
screen print
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The Black Panther, vol. 4, no. 30
offset
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The Black Panther, vol. 3, no. 29
offset
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Down with Machismo
monotype and woodblock
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Black Is Beautiful
offset
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Freedom for Angela Davis
offset
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Power to the People
screen print
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Long Live the Woman (Viva La Mujer)
screen print
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Facsimile of Girls Are Powerful
screen print
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Untitled print (from the Nia Wilson/Say Her Name/ No Silence series)
ink on vintage magazine paper
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“Cubagramma”
offset
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Fact, vol. 4, no. 4
offset
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Political Patches
screen print on fabric
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Postcard version of The Silent Majority poster
offset
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BLM Movement in Los Angeles
digital printing
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Mariah
augmented reality mobile application
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Mechanical for vol. 1, no. 1 of the Indians of All Tribes Alcatraz newsletter
woodblock
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The Square (Al Midan)
laser-etched wood with coptic binding and laser-cut paper
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Justice for Mona (from the Of Course the Army Protected the Revolution series)
spray paint and screen print, and handcut stencil with spray paint